Uživatelské recenze knih:
» Ta druhá
» Do vody, 1. vydání
» Peču a vařím s láskou bez lepku a histaminu
» Do vody, 1. vydání
» Peču a vařím s láskou bez lepku a histaminu
Běžná cena: | 529 Kč |
Sleva: | 10% |
Dostupnost: | Nedostupné |
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Když teď objednám, kdy zboží obdržím? |
Kód: | D0425061 |
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EAN: | 9783836565004 |
Nakladatel: | TASCHEN |
Vazba: | Pevná bez přebalu lesklá |
Počet stran: | 600 |
Rok vydání: | 2018 |
Jazyk: | Anglicky |
Kategorie: | Literatura faktu NON FICTION |
„Zboží má v přepravě balikovna od 25.10., dnes je 4.11. a stále nic nepřišlo. Zboží samozřejmě zaplacené. Nemám nic.“
The complete, revelatory illustrations of Egyptologist Émile Prisse d’Avennes, one of the first European explorers to fall obsessively in love with the realm of the pharaohs. This unsurpassed collection covers Egyptian architecture, drawing, sculpture, and painting in a visual and archaeological feast of symmetry and complexity, mystery and opulence. A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-Théodore-Émile Prisse d’Avennes (1807–1879) is famed as one of the most influential Egyptologists, long before the discipline was even properly established. Prisse first embarked on his explorations in 1836, documenting sites throughout the Nile Valley, often under his Egyptian pseudonym, Edris Effendi. Prisse’s first publication of notes, drawings, and squeezes (a kind of frottage) came in the form of Les Monuments égyptiens, a modest collection of 51 plates, but one met with considerable acclaim in popular and intellectual circles. Encouraged by his success, Prisse returned to Egypt in the late 1850s to expand his work into the collection L’Histoire de l’art égyptien—together with his first volume, these two tomes make up a truly complete survey of Egyptian art. His albums cover architecture, drawing, sculpture, painting, and industrial or minor arts, with sections, plans, architectural details, and surface decoration all documented with utmost sensitivity and accuracy. Even when compared to the products of the great state-sponsored expeditions to Egypt of this period, Prisse’s compendium remains the largest, single-handed illustrated record of Egyptian art in existence. Discover the complete collection of Prisse’s unsurpassed illustrations in a visual and archaeological feast of symmetry and complexity. Once exclusively available as an XL-sized title, this Bibliotheca Universalis edition captures all the mystery and opulence of Prisse’s groundbreaking collection in an affordable, compact format. Bibliotheca Universalis—Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm’s delight—never bore, always excite! The author Salima Ikram is a professor of Egyptology at the American University in Cairo and has participated in many Egyptian archaeological projects. After double majoring in history as well as Classical and Near Eastern Archaeology at Bryn Mawr College in the United States, she received her MPhil and PhD in Egyptian Archaeology from Cambridge University (UK). She has directed the Animal Mummy Project, co-directed the Predynastic Gallery Project and is co-director of the North Kharga Oasis Survey. As an acknowledged expert she has lectured on her work all over the world. Salima Ikram is also the author of several books on Egyptian Archaeology, publishes in both scholarly and popular journals, and is a contributor to various magazines.
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